2019 is already proving to be a huge year for Western Australian electronic dance trio, Crooked Colours. After playing Laneway festival, releasing two new singles 'Hold On' and 'Never Dance Alone', and wowing audiences at Groovin The Moo festival over the last two weekends, the boys are also about to release their sophomore album 'Langata' and embark on their biggest headline tour to date.
We had a chat with drummer Liam Merrett-Park about the bands new album, what to expect from their live shows and wanting to collaborate with John Mayer.
Can you tell us a little about yourselves and how Crooked Colours came to be?
We are three guys from the Southwest of WA that play indie-electronic music. We met through mutual friends like 7 years ago and we started creating music to play for friends at house parties. We had no ambitions of a career in music, we just liked to create it and play it in front of people, and we stuck at it until it has now become the biggest thing in our lives.
Tell us about your music - how did you guys develop your sound?
We were always into electronic music, so when we started writing songs in the early days we would try and emulate songs that we liked. During that process you hear a song and go, “How do I make that sound?” and you go back to your bedroom and try and recreate it. During that process you would distract yourself with something different that you liked and expand on that. In a way you almost become your own inspiration, wanting to expand on the last idea you had and make it bigger or weirder. That’s how we have been working, expanding on idea’s that we had on our last album.
Your debut album ‘Vera’ hit No.1 on the iTunes Electronic chart and gained over 30 million collective online streams. That must have felt pretty good to get such a strong reaction to the album?
Yeah it was surreal. We had had such a big break since our last release so we didn’t quite know how it would be received. After releasing the first single Flow, the reaction blew us away! It was crazy, we were getting tagged in all these travel Vlogs and on high fashion runway shows. Then the album came out and we hit the ARIA charts and it was actually such a shock! Honestly it has been such a great few years and we are so thankful.
Your sophomore album ‘Langata’ is out May 17. How would you describe this album?
It is the next step of Vera. Some deeply personal lyrics, some party lyrics. Some dance-y tracks and some slower chilled tracks. It’s our favourite body of work we have created yet.
In terms of the album-making process, did you do anything differently this time compared to your debut album?
This album was largely written on the road so in terms of locations. We were in hotel rooms or on the tour bus or planes which was completely different to largely being based in our home studios but other than that it was much the same. We kept it completely in house using the same gear as Vera. We’re just older and hopefully wiser.
What were some of your biggest inspirations (musically or otherwise) during the making of this album?
We were very inspired by the places we had been or the places we wanted to be. For example, the first single “I’ll Be There” was heavily inspired by a trip to New Caledonia and the track “Hold On” was inspired by our desire to be at the beach while we were shivering in the US winter.
What’s your favourite part of the writing process?
That point when you know the project you are working on is actually going to turn into something you want. You often start a track and spend all of this time on it for it to turn into a blackhole of time that never forms into the vision you had of it. It’s best left alone and to start again. But at that point of perseverance and it works out, that’s our favourite. Also, when we are all in the studio jamming out at the final touches.
What can the crowds expect from the Crooked Colours live shows?
We always want to bring energy. Starting a bit chilled and then building into high energy at the end. Seeing the crowd react and dance is the ultimate reward. We are also going to tour with a new lighting rig which we are excited about.
What’s something most people don’t know about you guys?
We used to live together, and we would eat pasta bake and drink beers all week and we all got fat. It was fun but we all needed to get out of there.
If you guys could collaborate with anyone, who would it be?
John Mayer. What a musician, what a voice! That guy has a deep love for everything music and I think would be able to impart some good wisdom on the way.
Are there any emerging bands/artists that you’re loving at the moment?
What advice would you give emerging songwriters/musicians that are trying to break into the industry?
There are going to great times but also some pretty low times. You just have to ride the hard times out and keep on working. Don’t stop.
'Langata' will be released on May 17th with preorders available now. Tickets for their national tour are also available now via their website.
British indie rockers Circa Waves have just released their third album ‘What’s It Like Over There?’ and we are a tad obsessed. Recorded in just one month and co-produced by Alan Moulder (The Killers, Foals), ‘What’s It Like Over There?’ is a shining example of how far the band have come since the release of their debut album ‘Young Chasers’ in 2015.
Fusing their classic indie-rock influences with a slick pop sound, Circa Waves have created an infectious record that sidesteps genres and challenges the stereotypical idea of what a indie rock band should sound like. Thematically, the album touches on themes of modern ennui, emotional fragility and all the inside-outs and upside-downs of relationships.
Whilst the anthemic ‘Movies’ will appeal to the band’s long-standing fan base, the likes of ‘Sorry I’m Yours’ and ‘Be Somebody Good’ see Circa Waves experiment with a new progressive sound that will surprise and delight in equal measure. ‘Me Myself & Hollywood’ touches on the band’s love of R&B, whilst ‘Times Won’t Change Me’ is a piano-led, Beatles-inspired future hit.
‘What’s It Like Over There?’ is available now on all major streaming services. Have a listen below and let us know what you think! Tickets for their UK, US and EU tours are also on sale now via their website.
After touring the world as a vocalist for Flight Facilities, Australian pop darling Owl Eyes (Brooke Addamo) has signified the return of her solo project with the reveal of her lush, dreamy and utterly danceable disco single ‘You And I’. Premiering a few days ago on triple j Good Nights, ‘You And I’ masks raw, honest lyrics with an alluring upbeat composition reminiscent of 70s era disco featuring hazy bass luscious synths, and a summoning call-to-action of lyrics.
Accompanying ‘You And I’ is the sunny B-Side ‘Le Soleil’, opening with an ode to the romance of the French dialect. Written in Brussels, ‘You And I’ and ‘Le Soleil’ were the product of moonlit nights between Owl Eyes and Belgian nu disco producer Aeroplane (Vito de Luca). Aeroplane's French house influence trickles throughout the tracks, both embodied with love and dedication, reflected as lessons that are pure and honest.
In celebration of the new single, Owl Eyes has also announced two headline shows for next month. Her first solo shows in quite some time, Owl Eyes’ unmistakable stage presence will light up Melbourne’s Abbotsford Convent on Thursday 16 May and the Grounds of Alexandria in Sydney on Thursday 23 May. Tickets are available now via Owl Eyes' website.
Listen to 'You and I' below and let us know what you think!
Last week, Sydney quartet I Know Leopard dropped their highly anticipated debut album ‘Love Is A Landmine’, featuring previously released singles, 'Heather', 'Landmine' and 'Seventy Lies'.
At its core, ‘Love Is A Landmine’ is an unashamedly romantic record that explores the highs and lows that inevitably come with falling in and out of love. A shining example of the diverse sounds that I Know Leopard have to offer, this album strays away from their previously established indie-pop roots and instead seamlessly blends dreamy synth pop, upbeat 70s soft rock with the new wave energy of Metronomy.
We had a quick chat with lead vocalist and chief songwriter Luke O’Loughlin about the inspiration behind this album, his favourite track and what the band has planned next.
Congrats on the release of your debut album, ‘Love Is A Landmine’. How excited are you for fans to hear your new stuff?
Slightly terrified but also very excited. This album involved three years of writing and rewriting but after all this time we can still listen to the songs and be proud of them so that has to be a good sign.
Can you tell us a little bit about the inspiration and influences behind the album?
Musically there’s a lot from the 70’s and early 80’s. I grew up listening to my parents’ ELO, 10cc, Alan Parsons Project records on repeat. But we aspired to find a place for this classic aesthetic to live in the modern musical climate. These influences have always been there in our music but we decided to really let them shine through on this record. Thematically, the album is about love, its power to destruct as well as heal and the journey from the former to the latter.
Can you describe the album in one word?
The album was produced by The Preatures' Jack Moffitt and mixed by Adelaide's synth wizard Luke Million. What was it like working with those two?
It was wonderful working with them both. Jack really opened our eyes to the album being something that we never imagined was within our capability. Luke has the most incredible set of ears I’ve ever encountered and he worked tirelessly with me to achieve something sonically very special.
What is your favourite song on the album?
Everything Goes With You. Love a ballad I do. It’s the song that feels the most natural to perform. It all weaves together with ease.
You guys are taking the album on your biggest Australian tour so far this May/June - how excited are you to be playing the album to a live audience?
We are extremely excited to celebrate with everyone. The passion and support we have felt for this project has been truly palpable so we just really want to put on a big ol’ show to say thanks.
Other than your ‘Love Is A Landmine’ tour, what do you guys have planned for the rest of the year?
There are a few festivals popping up towards the end of the year. I’m also feeling good about writing again now after having taken a break to cleanse the palate a bit. Songs I’ve been writing have been sounding different again so I’m curious as to which road I’ll be summoned down for the next incarnation of I Know Leopard.
'Love Is A Landmine' is available now via Ivy League Records on digital, CD and limited red vinyl here. Tickets for I Know Leopard’s album tour are also on sale now and available here!
Indie-pop sensation, Yorke, has quickly become one of our favourite emerging singer-songwriters — and with good reason. The twenty-year-old Byron Bay native, who has been writing songs for over ten years, offers a beautifully honest snapshot of her life through intimate lyrics, carefully-crafted melodies and spacious pop hooks. Her debut single, 'First Light', has gained over 600k streams and been featured on various official Spotify playlists including New Music Friday and New Pop Sounds.
Yorke recently released her second single and its accompanying video, 'Wake The City'. Co-written and produced by Andy Mak (Vera Blue, Bertie Blackman), the track is about disempowerment in a relationship and how often that begs the question of whether to sacrifice who you are or to appease your partner.
The stunning video for 'Wake The City', which has already racked up 20.5K views on YouTube, was directed by Charli Burrowes (MeOhMy) and filmed in various locations around Brisbane. Beautifully shot Yorke says, “The song itself means so much to me that I wanted to create something really vulnerable and raw. The director, Charli worked closely with me to maintain the sincerity of the track through the beautiful cinematography and locations. I feel it really brought the song to life."
Check out the exclusive behind the scenes video for Wake The City below!
Pony Anarchy Mag: Can you tell us a little about yourself and what path led you to music?
Yorke: I’m Yorke – I’m 20 and my two other favourite things besides writing music are animals and food. I started writing songs when I was about 8, which was the same time I’d starting piano lessons. I’d always loved to sing growing up, but once I had a knowledge of chords and stuff I just gravitated towards song-writing as a form to express myself. I think I just came home from school one day and was bored, so I wrote a song and haven’t stopped since.
PA: For those who haven’t listened to your music before, how would you describe your sound?
Y: Emotional, cinematic indie pop.
PA: Who or what would you say are your biggest musical influences?
Y: So many to name! I was named after Jeff Buckley’s album Grace, so I feel like that is definitely an influence. I just love good pop music, and get inspired especially by a lot of song-writers themselves. Some writers that inspire me are Taylor Swift for her melodies, Lorde for her lyricism and Lana Del Ray for the way her songs are so deeply symbiotic to her production.
PA: Where did the name ‘Yorke’ come from?
Y: I get really inspired by being in cities and especially my favourite one, New York. I love the chaos and the buzz and the lights and sense of purpose. The name ‘Yorke’ seemed only natural, I love it.
PA: Can you tell us a little about your recently released single 'Wake The City'?
Y: I wrote this song with Andy Mak mid last year and it remains one of my favourite tracks I’ve done. It was written about being put in a situation where you are juggling to decide between self-liberation and constraint from someone you care about. I love the way the production sort of juxtaposes the lyrical content – it tricks you into thinking it’s a lot more upbeat.
PA: You also recently released the video clip for Wake The City, which was directed by Charli Burrowes. What was the inspiration behind the clip?
Y: Yes! Charli is a creative genius. I guess the story behind the song is so close to me that I wanted to be able to capture elements of that through the narrative. The colour palette we chose (lots of red) to show that with emotion comes power. I think the clip as a whole really summarises the Yorke project perfectly.
PA: Are you working on any new material at the moment?
Y: I’ve been in the studio heaps lately, it’s been so great. Lotttts of music to come.
PA: What’s your favourite thing about making music?
Y: Being able to express emotions and imagery in a way that is so vastly subjective to listeners, but still creates incredible connection and meaning.
PA: You supported Nyxen’s Sydney show at the Oxford Art Factory earlier in the year. How was that experience?
Y: It was honestly so much fun! It was only my second Yorke show so I wasn’t sure what to expect, but I just got so lost in the moment. So many firsts were ticked off and the vibe of the show was amazing! Nyxen was standing right in the very front, she is such a legend! Definitely go check her out live if you get a chance.
PA: What are your plans for the rest of the year?
Y: Write, release, shows, eat snacks, repeat.
PA: There are so many great emerging bands/artists releasing music at the moment. Do you have any favourites?
Y: Yes! Local acts I’m really into at the moment are E^ST, Robinson, Charlie Collins, Eliott. The female pop music scene is incredibly exciting at the moment, so proud to be a part of it.
PA: Finally, do you have any advice for emerging songwriters/musicians like yourself that are trying to break into the industry?
Y: 1) If you put in the hard work, nothing is really impossible - I knew from a really young age this is what I wanted to do, so I just kept honing my craft without expecting anything, and now it’s all so real and I’m constantly amazed about it. I got to perform at my first festival recently and my younger self would’ve never have believed it. It was whack. 2) Get advice, and really try to take it on board, but also remember it isn’t everything. At the end of the day, you want to do what makes you feel the happiest, and most authentic. 3) Support your artist mates - collaboration is key. 4) Trust yourself, and your intuition.
Follow Yorke on Instagram for updates and stream 'Wake The City' now on all major streaming services.
Yeah Yeah Yeah’s front-woman and all-round legend, Karen O, recently teamed up with Danger Mouse (the Grammy-winning musician-producer who has worked with artists like The Gorillaz, Red Hot Chilli Peppers and The Black Keys) and the dynamic duo have just released their first collaborative album, Lux Prima via BMG.
The two originally met in 2007 to discuss a collaboration, but careers and lives got in the way. In 2015, they got serious and made a plan while Karen O was pregnant with her son. After his birth, they entered the studio with no sonic parameters, a handful of references and there, Lux Prima was born.
Latin for “first light”, Lux Prima is aptly titled as it radiates warmth from start to finish with its dreamy disco vibes, soft guitars, and shimmering synths. One of our favourite tracks on the album, and the most reminiscent of the YYY’s, is the uptempo number, ‘Women’, with its empowering lyrics, punchy percussion and of course Karen O’s iconic snarls and howls.
“Woman came like a bolt out of the blue in the studio and my voice was the lightning rod it struck,” says O. “One of those songs that wrote itself out of the ether and an increasingly volatile political environment. Songs I write are for everyone, but this one felt especially for the inner child in me that needed the bullies out there to know you don’t fuck with me. I’m a woman now and I’ll protect that inner girl from hell or high water.”
Lux Prima is available now on all major streaming services. Listen below and let us know what you think!
After a momentous year of releasing new music and playing live shows, the Sunshine Coast's infectious indie-rockers, High Tropics have returned with a nostalgic new banger, ‘Feel The Same’. Produced by Elliot Heinrich (Future Jr) and mastered by Brian Lucey (Cage the Elephant, Liam Gallagher), the track sees songwriter Josh Stewart expand on his ever-growing catalogue of indie-rock sing-alongs.
We had a quick chat with Josh about the new single and his favourite Aussie albums at the moment.
Can you tell us a little about how High Tropics came about?
High Tropics was a couple of years in the making for me before I put together the band. Originally it was just a folder for me to house the demo’s I was recording, and when things eventually fell apart with my old band, I decided it was time to take control of my own destiny. I guess it’s not too dissimilar to the inner-workings of Tame Impala or BJM, the project kind of exists in two parts; the recording and writing – which is more of a solo endeavor, and then the live show, which much like my social life, is very much dependent on my band.
How did you guys meet?
I’ve known everyone in the band for many, many years now. There have been a couple of line-up changes, but any time someone leaves they’re usually replaced by another friend. I’ve never really had to advertise a position on a notice board or anything like that.
For those who haven’t listened to your music before - how would you describe your sound?
A lot of my favourite albums are from the 2000’s, The Strokes, The Killers, The Vines etc. Those bands had such a lasting impression on me it was inevitable that they’d shape the sound of my own music, especially in regard to tonal references. Ultimately, I don’t ever set out to make a song sound like something else, it’s more just shaped by my musical taste. I like my guitars to have a certain amount of fuzz on them.
Congrats on the release of ‘Feel The Same’. What’s the story or inspiration behind this song?
Thanks! Musically the inspiration kind of just came over me, I sat down with the guitar one morning and that verse and melody just came flowing out of me. I ended up tracking the skeleton of the song over the next day or two. Lyrically, there are various references, but overall the song explores the idea of putting too much emphasis on the destination and not enough on the journey. I think a lot of us set goals expecting some kind of self-transformation to occur once we reach them, only to find we feel exactly the same, or maybe even slightly empty.
Who or what would you say are your biggest musical influences?
My favourite bands would be Oasis, The Killers, The Strokes, The Vines etc, but if I’m talking outside of this project, I really love songs more than I do artists. For example, The Mama’s and the Papa’s would never pop up in my top 10 favourite artists, but California Dreaming would probably make my top 10 favourite songs.
You guys represented Australia in the Project Aloft Star Asia competition in Seoul, last September. What was that experience like?
It literally still feels like a dream, Universal and Aloft took such good care of us, we got to live it up like rock stars for a week, met so many rad people and got to visit a part of the world that we might’ve never gone to otherwise. I’ll forever be grateful!
‘You Never Made It Easy’ was featured in Spotify’s ‘Best of The Indie List 2018’ at the end of last year. How did it feel having one of your songs mixed in with the likes of The Wombats, The Kooks and Liam Gallagher?
Getting on any official editorial playlist is amazing, but to be in the company of some of my icons is obviously tremendously validating and encouraging.
Are you working any new material? An EP perhaps?
I’m constantly writing so the EP has actually been ready for a while, it’s just a matter of getting it out now. It costs money and takes time to break through the multiple thousands of songs that get released each day, but new music is always on the way!
Do you have any plans to hit the road and play some headline shows this year?
Most certainly do, we’ll be playing some shows along the East Coast from March – May. Still finalising some dates but we’ll announce something soon!
There are so many great Australian bands/artists releasing music at the moment. Do you have any favourites?
Recent favourtie Aussie albums would be Bloody Lovely by DZ Deathrays, Sugar Mountain by Jack River and For Now by the DMA's. Funnily enough all on I Oh You. Bloody Johann has a good ear on him.
Finally, do you have any advice for emerging musicians like yourselves that are trying to break into the industry?
I don’t really know if I’m qualified to be giving advice, but if I can share some guidance that was once given to me, it would be to focus on creation as opposed to attention. The music business is a fickle industry largely based off trends, so make art that’s true to you. And finally, as coach Vinny once said, “winners never quit and quitters never win”.
Have a listen to 'Feel The Same' below and let us know what you think!
Australia's favourite indie-folk gem, Kim Churchill, has returned with his new single ‘After The Sun’ – recorded and co-produced by house and hip-hop producer Vincent Kottkamp, with additional production by Chris Collins (Gang of Youths, Middle Kids, Ruby Fields).
'After The Sun' is the first single from Kim's new project which will see him release four EP's, all of which were written and recorded in Germany, Canada, Australia and the UK, in collaboration with local artists and producers. Inspired by his time living on the road, each song taps into the people and environments of Kim's favourite parts of the world.
“I now understand the effect that the whole process of travelling has on the way I write songs and the way I create,” he says, explaining that he travelled this time intending to experience “emotional responses to a constantly changing environment” and allow that to “seep into my creative process, which has been the most liberating part of the last year of writing.”
'After the Sun' is out now and available on all major streaming services here. Have a listen below and let us know what you think!
At the fresh age of nineteen, Auckland singer-songwriter BENE, has already made a lasting impression on the New Zealand and Australian music scenes with her infectious indie-RnB style bangers, 'Tough Guy' and 'Soaked'.
We caught up with BENE ahead of her debut Australian headline shows next week, to chat about dropping out of uni to make music (and pizza) and what she has planned for the rest of 2019.
K: Can you tell us a bit about yourself and how you got into music?
B: Yeah of course! So this is my second year coming out of high school. I was at university for two weeks doing a Communications degree, which is pretty pathetic, um but I had released ‘Tough Guy’ and I’d been working with a guy called Josh Fountain, who I got in touch with after releasing a couple of Soundcloud covers on the internet. So basically that year, I dropped out of uni and was just basically working - I made pizzas, washed dishes for a year and made music. The lifestyle was amazing! [laughs] But yeah I’ve just been working with Josh at Golden Age studios which is in Auckland, and also with this guy called Djeisan Suskov. They’re both in the band LEISURE, which is a really cool band. But yeah that’s what I’ve been up too!
K: Why did you decide to drop out of your Communications course and uni?
I mean, there was so much pressure in my last year of high school to go to uni. I had just released my song ‘Tough Guy’ and that was kinda like when we had all enrolled and we were all set and everyone was like ‘this is what I’m doing with my life’ and I was like "oh god, is this what I want to do?" I knew I wanted to do something in the creative industry so I was like "okay this sounds good to me". But I guess at that point, music was kinda like the fantasy and probably wouldn’t happen, but if it did, that’d be flipping amazing. And I guess just the response from that (Tough Guy) was pretty encouraging and second week into uni, I just felt like the whole time was just kind of a distraction from what I knew what I actually wanted to do so I was like "I’m just gonna quit this, give music a solid crack and just work hard". Best decision ever!
K: What’s your favourite thing about making music?
B: I just like the ability to do anything and take elements from different kind of genres that you like and kind of, make your own sound. I feel like that’s a really important thing. I like different elements from RnB tracks and pop tracks and coming up with something that sounds fresh.
K: Who would you say are your biggest influences? Are there any particular musicians or artists that you draw inspiration from?
B: I would say, Travis Scott… his new album is crazy town! And James Blake! He’s just released a new album. I feel like those guys are like pretty out there. I mean I listen quite widely, I’m really into the ‘discover’ thing on Spotify. Like just being able to listen to music and it’ll automatically link you up with stuff that you’d like. It’s always pretty accurate and I find that quite cool.
K: Yes, I love that about Spotify! So you mentioned you’re barely two years out of school, and you’ve already supported acts like Winston Surfshirt and Lily Allen. Do you ever have moments where you’re like “whoa, how did this happen?”
B: Dude, totally! I just did Laneway Festival as well and it was flipping crazy! We were at the hotel and Rex Orange County was sitting beside us eating lunch and I was just like "what the heck am I doing here?" and Yellow Days too! And for Lily Allen it was like my fourteen-year-old self, flipping screaming and yeah, I don’t know - it’s just crazy!
K: If you could collaborate with anyone living or dead, who would it be?
B: Whoa. Such a hard question! I mean, there are so many people but I’m so obsessed with James Blake at the moment so I think it would be him.. or KAYTRANADA... or The Internets Steve Lacy! OK, there are so many! But those are the top ones.
K: Congratulations on cracking the triple j Hottest 100, with Soaked coming in at #58. That must feel pretty damn good.
B: Thank you! I was listening to it live and yeah it was just crazy.
K: Soaked has also racked up over 6 million streams on Spotify, which is also pretty impressive. Can you tell me a little bit about the song and what inspired you to write it?
B: Yeah totally! It was recorded at Golden Age again with Josh and Djeisan. And it was like, you know, your classic kind of breakup scenario but I kind of had enough of listening to the sad stuff and I thought how can I turn it and make it relatable and kinda fun. But also, you know, stay true to what I was feeling. But it’s basically like you’re having this conversation with someone that you love and you want to say something and you know what you want to say but for some reason, there’s just this weird lump and you can’t get it out.
Sydney four-piece I Know Leopard have just dropped their new single 'Heather' and lets be honest, it's an absolute tune. Just in case a new single and video wasn't enough excitement for one day, the band have also announced that their long-awaited debut album 'Love Is A Landmine' will be released via Ivy League Records on April 5th.
'Heather' is the second single from the forthcoming album and a shimmering synth pop-rock masterpiece with just the right amount of sass. "I wanted to write a classic ‘tormented in love’ song," says Lead vocalist Luke O'Loughlin in a statement. "There are songs from the 70s and 80s with this kind of theme that I was drawing upon... Lyrically the song has an exasperated feeling to it so I wanted the vocal performance and the production to reflect this. 'Heather' is also the moment on the record that allowed us to spread the sass on thick."
Directed by Stupid Genius, the glittery video clip for ‘Heather’ is a sequel to the video for ‘Landmine’, which was released in August 2018 to an outpour of love from devoted I Know Leopard followers.
To celebrate the release of 'Love Is A Landmine' in April, the band will be heading off on their biggest run of shows to date this May and June. Tour info and tickets are available now via their website.
Have a listen to 'Heather' below and let us know what you think!